Tokyo is the first single from the album. ‘Can’t Stop or Rewind’ which I have previously reviewed on this site. On first hearing, it is reminiscent of early Oasis but with a gentleness that Oasis lacked. The tune becomes an ear worm on second and third listenings and the accompanying song narrative perfectly enhances the video.Shot in black and white,moody, rain soaked streets and a backstreet pub contain clever film references, the most dominant of which is ‘singin’ in the rain’, without the singing! It’s been well thought out and the story of the contrast between hard graft in a pub while dreaming of the magic of dance leading to the perfect relationship, might seem as old as time but here feels completely fresh and inevitable.
I watched a two hour biography “Life in 12 Bars” on BBC 2 last night. It was down to earth and told Clapton’s story as it was. Why is it that so often, talent goes hand in hand with tragedy? It was on a massive scale, I’m not sure that life could have thrown much more at him, yet he battled through. He now seems to have found happiness. Let’s hope that it lasts.
Goat Girl have a debut album out and I was thinking of reviewing the band who claim ‘incisive social commentary.’In this world of ours, it’s exactly what we need at this time.
Then I saw the video. Borderline offensive on so many levels.Unless I’m missing something…………Comments welcome.
Not a review as Megson are neither new or upcoming but it was a brilliant night. They deserved a much bigger audience considering who they have played with in the past. A relaxing and peaceful evening .
Well, hopefully spring has arrived and no snow means getting to more gigs. I get snowed in when the weather is bad which I’m not used to, especially as Essex was so flat. The Jar Family cancelled their gig last week so waiting for a new date to be announced……….
Stroud Sub rooms played host to Natty and his support artist Emily.
Emily faced a challenging audience- challenging in the sense that talking through a performance seems to be the norm today and for a young artist it can mean make or break time. Emily was well worth listening too but in order to really grab attention she needs to have a more varied set of songs and more pace which an audience can react to.
On the other hand,Natty and his band have been around for long enough to be able to read an audience almost instantaneously so that they know how to react and engage. They played a storm getting the audience to its feet from the first song. They will be returning to Stroud in August but in the meantime would like you to consider crowdfunding a vinyl edition of their 10 year old first album.
I had heard about 24 year old Hattie Briggs a long time before I finally got to see her live in Stroud. She was the winner of Fender (Guitars) Undiscovered Artist of the Year in 2017 going on to support Lucy Rose at Bush Hall. Judging by the audience turnout and response to her music, Stroud have taken her to their hearts as a local talent and her 30 minute set supporting Blue Rose Code on a wintry Burns Night showed why.
Although she cites Eva Cassidy as an inspiration, Briggs actually comes across as reminiscent of a young Joni Mitchell, particularly in her opening songs. Her rearrangement of Cassidy’s version of the classic ‘Autumn Leaves’ proves that the skills involved in covering a song take real talent; re-arranging means so much more than just copying. In addition, Briggs demonstrates the art of losing herself in a song whilst simultaneously drawing the listener into it, treating each song with respect and care whether it be a cover or an original. She achieves this through an authentic transmission of emotion, ranging across heartbreak to joy, using subtle and intelligent lyrics in her own songs such as ‘Just Breathe’ and ‘Early Girl’ supported by her accomplished musicianship on the guitar and piano. ‘Early Girl,’ is a commissioned song which brings tears to the eyes and although depicting the narrative of a Father’s thoughts and feelings for his premature baby 50 years ago, makes the event feel just as relevant today. In less capable hands, this intensely personal account could have drowned in sentimentality and despair. Instead, Briggs gets the fragile balance just right. This song, the first of 5 singles to be released over the year, will be out on 23rd February. A series of mini tours are arranged for late April.
Her success is underpinned by very hard work. I asked her for a few words about her musical project for 2018.
Chimpanbee are Ger Reid, Mike Fox, Damien O’Brien and Paul Barry , a 4 piece indie/rock band from Waterford. I last reviewed them in 2013 and am delighted to hear that their debut album “Can’t Stop or Rewind” will be released in February followed by a tour in April.
This album may have been a long time in the making (all songs were written in 2010) but it marks a point of reflection and confidence, a summing up of the stage that Chimpanbee have reached at this moment in time. They are masters of consistency; there are echoes of psychedelia, 60s sound harmonies and the influence of bands like Oasis and Golden Earring thrown into the mix. Yes, there is some cliche in some lyrics and a slight vocal slip in Light it Up but what runs through the whole album is an energy that is life affirming. The lyrics show how the positive outweighs the negative experiences of life and the music underlines this, whether from the almost militaristic drumbeat of Snaakes to the delicacy of Can’t Stop or Rewind and the sheer exuberance of Fell in Love and Sleep in Your Bed. The album is worth listening to for these last two tracks alone. Don’t expect lightweight processed pop,this is an album that cries out to be played at full volume both at home and to large crowds. Parts of songs have been rerecorded a few months ago so established fans are eagerly awaiting the finished result and as for new fans – look out for dates of the tour -and have a great evening.
If you want to find them on facebook the link is :-
Went to see The Transports last night at Cheltenham Town Hall. This is simply a post to say how wonderful the evening was. It was powerful, included 10 well known names from folk music and told the story of Henry Cable and Susannah Holmes who were among the first transports to Australia and who were the first to be married there. It also tells of John Simpson, a humane turnkey, and his effect on their lives. Running parallel to this narrative is the story of present day refugees. At the end of the day nothing has really changed over 200 years .
The Transports is on tour. See more about the show at thetransportsproduction.co.uk
The Hacienda is a project formed by five guys from Florence. Since releasing their first Ep in 2009, the band has played more than 130 shows between Italy, Germany, the UK, Austria and the Czech Republic. They have supported bands such as Kasabian, The Kooks, Futureheads, Twisted Wheel, Deep Purple, Beady Eye, Catfish and the Bottlemen. The Hacienda relocated to London in 2013. The self referencing Ep of five songs was released in October 2015.
The Ep shows a range of styles and for me, serves as a great introduction to The Hacienda’s music. ‘Indian Love’sounds like early Beatles during their psychedelic phase with the same emphasis on a carefully crafted tune. ‘Dead Boy’ with gentler rhythms and great harmonies has a sense of Procul Harem about it but shows the band’s skill in retaining the flavour of the 60’s without directly copying it. ‘She’s Mine As The Sun’ with its jauntier rhythms , delicate guitar work which then gives way to a more urgent sound leads into Northern Soul with ‘North Pole’ and ‘Too Late’being songs worthy of Arctic Monkeys. There is something for everyone on this Ep and on the strength of it, even better, would be to see them live.